“He characterizes the changing moods of the Overgrown Path suite with a sure touch, but keeps them in a proper contrast….. he makes them relate to one another within a general mood. That is one, generally, of griefs remembered…. one along which this most self-honest of composers had trodden… So Kvapil lends a wistfulness even to the livelier pieces, (“They chattered like little swallows”), but also makes the anguished No. 8, …calm rather than frenzied in its pain. A similar understanding of contrast distinguishes the four beautiful pieces of In the mists, which are marked by a dignified sadness that Kvapil understands well….. these are interesting, intelligent and well-executed performances.”
-Gramophone